The others rose and moved away. Hilda came and stood before Joan with her hands behind her. Arthur Allway was her cousin, the son of a Nonconformist Minister. Her father had taken him into the works and for the last three years he had been in Egypt, helping in the laying of a tramway line. He was in love with her: at least so they all told her; and his letters were certainly somewhat committal. Joan replied to them—when she did not forget to do so—in a studiously sisterly vein; and always reproved him for unnecessary extravagance whenever he sent her a present. The letter announced his arrival at Southampton. He would stop at Birmingham, where his parents lived, for a couple of days, and be in Liverpool on Sunday evening, so as to be able to get straight to business on Monday morning. Joan handed back the letter. It contained nothing else.!

“Why do you come?” asked Joan. She turned abruptly and walked rapidly away. Joan moved instinctively in the opposite direction, and after a few minutes found herself in a broad well-lighted thoroughfare. A newsboy was shouting his wares.

He did not reply to her question. “Master or Mistress Eminent Artist,” he said; “intends to retire from his or her particular stage, whatever it may be. That paragraph ought always to be put among the obituary notices.” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them. The next morning she went into town with them. She never seemed to have any time in London, and wanted to do some shopping. They joined her again for lunch and afterwards, at her father’s suggestion, she and Arthur went for a walk. They took the tram out of the city and struck into the country. The leaves still lingered brown and red upon the trees. He carried her cloak and opened gates for her and held back brambles while she passed. She had always been indifferent to these small gallantries; but to-day she welcomed them. She wished to feel her power to attract and command. They avoided all subjects on which they could differ, even in words. They talked of people and places they had known together. They remembered their common love of animals and told of the comedies and tragedies that had befallen their pets. Joan’s regret was that she had not now even a dog, thinking it cruel to keep them in London. She hated the women she met, dragging the poor little depressed beasts about at the end of a string: savage with them, if they dared to stop for a moment to exchange a passing wag of the tail with some other little lonely sufferer. It was as bad as keeping a lark in a cage. She had tried a cat: but so often she did not get home till late and that was just the time when the cat wanted to be out; so that they seldom met. He suggested a parrot. His experience of them was that they had no regular hours and would willingly sit up all night, if encouraged, and talk all the time. Joan’s objection to running a parrot was that it stamped you as an old maid; and she wasn’t that, at least, not yet. She wondered if she could make an owl really happy. Minerva had an owl.